SIXTY-SEVEN POEMS FOR DOWNTRODDEN SAINTS

No middle-man, no big mark-up. He identified with the disenfranchised and downtrodden he encountered in his travels and learned to love the sound of jazz, and the liberation of painting and poetry. His rhythmic and colorful style and cadence is entrenched in all fibers of his work.

SIXTY-SEVEN POEMS FOR DOWNTRODDEN SAINTS

No middle-man, no big mark-up. He identified with the disenfranchised and downtrodden he encountered in his travels and learned to love the sound of jazz, and the liberation of painting and poetry. His rhythmic and colorful style and cadence is entrenched in all fibers of his work.